![]() Not only that, he’ll allow McEnery the honour of conducting the symphony orchestra himself at a special ‘Crawford Conducts Crawford’ event at the studio the following night. ![]() Spinning a cock-and-bull story, he tells his apprentice that he’ll reveal all to Ritter that very evening and will recommend that Gabe and not he scores the director’s next film. The wily Maestro isn’t all too keen on that outcome, but is able to take advantage of McEnery’s unbelievably trusting and gullible nature. McEnery’s lumberjack shirt was 40 sizes too big for him He’ll even show Ritter Crawford’s original score and his own adapted version that won such critical acclaim. The score to The Killer was, McEnery claims, 75% his own work – and Crawford didn’t even thank him when accepting the Oscar statuette.ĭue to this, McEnery is going to blow the whistle on Crawford and reveal to his long-time directorial cohort Sidney Ritter how the young pretender is really the one pulling the strings. McEnery, however, is fed up about his lack of stature and prospects at the studio after five years in the great man’s shadow. These efforts are passed on to Crawford, who passes them off as his own. Nowadays, the best elements of his scores are cooked up by his apprentice Gabe McEnery – an eccentric but likable baby-faced fellow, who listens in via radio to Crawford’s efforts from the film studio roof and lets his instincts guide him towards musical perfection. The only problem with this is that ol’ Crawford is well past his sell-by date. Every motion picture he scores wins plaudits for the calibre of his musical interjections – and he even snared an Academy Award for his last great effort on prophetically titled blockbuster The Killer. ![]() Movie musical Maestro Findlay Crawford is the John Williams of the Columboverse.
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